Friday, September 29th │ 7:30pm
Sunday, October 1st │ 2:00pm
The ultimate femme fatale is back, in a brand-new performance in the middle of Downtown Columbus at the Southern Theatre.
Revel in the irresistible Spanish tunes, sultry story and dark undercurrent of Carmen played by the Columbus Symphony Orchestra. You’ll hear the flirty Habanera and famous Toreador song amid a spectacle that features flamenco and the sultry Tesia Kwarteng as Carmen.
Carmen is not simply a stripped-down version of the original opera, it digs into what Bizet’s 1875 classic might mean for audiences today. Capturing its essence as an exploration of sexual freedom, social hierarchies and the class system.
This production will be performed in French with English supertitles.
Please note: this production contains adult themes, sexual references, depictions of violence, and loud noises.
#CarmenOC
What’s Interesting About This Opera…
- Carmen has been featured in many films, TV shows and commercials – including a childhood favorite The Artistocats and a 2001 hip hop movie starring Beyoncé
- The opera is based on a 1845 novella, Carmen, by French writer Prosper Mérimée
- This show will be directed by the 2022-23 CRANE Directing Fellow, Sarah Dahnke
FREQUENTLY ASKED QUESTIONS
What Should I Wear?
There is no dress code for the opera! Some patrons choose to dress for a special occasion and others prefer to keep it casual.
Where Should I Park?
Parking is available at the Columbus Commons Parking Garage located off of Rich or Main Street.
When Should I Arrive?
Plan on arriving about 30-40 minutes early. This gives you plenty of time to park, get your tickets from will call if you need to and find your seats without feeling rushed. Latecomers are seated (or stand) in the rear of the theatre until ushers take them to their seats at an appropriate point in the production.
Is there an age recommendation for this performance?
Carmen is recommended for children 14 years and older.
CAST
Tesia Kwarteng is a versatile and multi-faceted Ghanaian-American artist who is equally at home on the operatic stage, on screen and in the studio. Ms. Kwarteng recently led and sang with the vocal ensemble Vox Noire on the recording of the original film score for The Woman King by Terence Blanchard, directed by Gina Prince-Bythewood and starring Viola Davis. Tesia’s first libretto commission (titled A Sable Jubilee) also premiered this year at the Aspen Music Festival, with music composed by Jasmine Barnes and sung by Will Liverman. Highlights of the 2022-2023 season included Lady Catherine in Lincoln Center Theater‘s new production of Lerner & Lowe’s Camelot, featuring a book by Academy and Emmy Award-winning writer Aaron Sorkin and directed by Bartlett Sher. Upcoming engagements for Ms. Kwarteng include Marcellina in Le nozze di Figaro for another house debut with Portland Opera and a role (Celeste) and house debut with Washington National Opera in Songbird. During the 2021-2022 season, Ms. Kwarteng made her principal debut at The Metropolitan Opera as a Pit Singer in Brett Dean’s Hamlet and also made her Off-Broadway debut at Lincoln Center Theater in Ricky Ian Gordon and Lynn Nottage’s new opera Intimate Apparel, where she was seen as Mayme and in the ensemble. That season, Tesia also covered the role of Ruby/Sinner Woman in Terence Blanchard’s Fire Shut Up In My Bones at The Metropolitan Opera.Tesia Kwarteng
Korean American tenor Adam Diegel regularly earns international acclaim for his impassioned dramatic sensibilities, powerful voice, and for his classic leading man looks. From a performance as Cavaradossi in Tosca at Glimmerglass Opera, Opera News raved: “The opera became a showdown between Adam Diegel’s impulsive, shaggily handsome Cavaradossi and Lester Lynch’s fearsome, animalistic Scarpia… (Diegel’s) spacious, Italianate tenor…delivered a stirring ‘Recondita armonia’ and built ‘E lucevan le stelle’ masterfully from hushed intimacy to an unfettered cri de coeur.” Adam Diegel made his Metropolitan Opera début as Froh in Robert Lepage’s landmark production of Das Rheingold conducted by Maestro James Levine, and later reprised the performance under Fabio Luisi. Further appearances at The Met include Pinkerton in Madama Butterfly under Plácido Domingo and Ismaele in Nabucco under Paolo Carignani. Other notable recent U.S. engagements include: Pinkerton in Madama Butterfly at Atlanta Opera, Fort Worth Opera, Arizona Opera, Opera San Antonio, and Kentucky Opera; Ismaele in Nabucco at The Metropolitan Opera and at Opera Philadelphia; Cavaradossi in Tosca at Vancouver Opera, Palm Beach Opera, Glimmerglass Opera, Seattle Opera, Opera Santa Barbara, and Arizona Opera; Don José in Carmen at San Francisco Opera, Glimmerglass Opera, Opera Theatre of St. Louis, Florida Grand Opera, Arizona Opera, and Madison Opera; and Rodolfo in La Bohème at Teatro Nacional Eduardo Brito (Dominican Republic), Minnesota Opera, Opera Omaha, The Princeton Festival, and Pensacola Opera. He has also performed Froh in Das Rheingold and Narraboth in Salome, both with the Atlana Opera. Other international appearances include: Don José in Carmen at English National Opera, Lithuanian National Opera and at Opera Australia’s Handa Opera on Sydney Harbour; Pinkerton in Madama Butterfly with West Australian Opera (Perth Australia), Opera Hong Kong, Lithuanian National Opera, The Savonlinna Opera Festival, and on tour in China at the Guangzhou Opera House in Anthony Minghella’s acclaimed production; Don Carlo at Lithuanian National Opera. Maurizio in Adriana Lecouvreur at The National Theatre in Budapest, where he later performed Cavaradossi in Tosca; and David Alden’s new production of Luisa Miller for Opéra National de Lyon. Mexican-American bass-baritone, Richard Ollarsaba, praised by the Washington Post for his “meltingly smooth bass-baritone” and for “evoking a young Ruggero Raimondi in looks and manner,” represented the USA in the 2019 BBC Cardiff Singer of the World competition, was a member of the prestigious Ryan Opera Center at Lyric Opera of Chicago for three seasons and a grand finalist in the 2013 Metropolitan Opera National Council Auditions. This season he will reprise the roles of Escamillo in Carmen with Opera Columbus, Count Almaviva in Le nozze di Figaro with Portland Opera and Piedmont Opera, and the title role in Don Giovanni with Inland Northwestern Opera and Arizona Opera. He will also make his role debut as Enrico in Lucia di Lammermoor with Pensacola Opera. Season 2022/23 highlights include debuts with the Glimmerglass Festival, Lyric Opera of Kansas City, and Portland Opera as Escamillo in Carmen, a debut with Chicago Opera Theater in the world-premiere opera The Life and Death(s) of Alan Turing by Justine Chen and David Simpatico, and as Bass Soloist in Verdi’s Requiem with the Master Chorale of South Florida. A native of Tempe, Arizona, Ollarsaba holds degrees from the Cleveland Institute of Music and the University of North Carolina School of the Arts.Richard Ollarsaba
Hailing from Columbus, Ohio, Hannah Marie Bullock is a new and emerging artist making her footprint in the opera world. She was most recently seen in her debut performance of Micaela (Carmen) in a co-production between Camerata Bardi and Teatro Grattacielo in Heraklion, Crete. Further international engagements include a young artist position with the inaugural Opera for Peace Academy in Rome, Italy in Summer 2022. In Summer 2021 Ms. Bullock had the pleasure of performing Contessa Almaviva (Le Nozze di Figaro) with the International Summer Opera Festival of Morelia. In addition to a budding international career, Ms. Bullock is frequently engaged at home. Recent performances with Opera Columbus include Countess Ceprano in the Spring 2023 production of Rigoletto and Moremi in the 2022 production of Vanqui. Other recent engagements include Bess (Porgy and Bess), with Opera Project Columbus. Ms. Bullock is a graduate of Capital University with Bachelor of Music in Music Technology and of Ohio University with a Master of Music in Vocal Performance. In addition to performing, Ms. Bullock serves as the Director of Operations for Graves Piano Company in Columbus. She thoroughly enjoys working with the Columbus community to promote local music and artists.Hannah Bullock
Baritone Artega Wright is known for his vibrant, mellifluous, and authoritative voice. He is also a neurodivergent with adult ADHD, which he has learned to navigate and use to his advantage in his artistic pursuits. Wright earned his master’s degree in Vocal Performance from the Meadows School of the Arts at Southern Methodist University and a Bachelor’s in Vocal Performance from Wayland Baptist University. Originally from Dallas, Texas, Wright is now based in the Midwest and has performed with some of Chicago’s most notable ensembles and storefront opera companies, including the Chicago Opera Theatre. He has had the honor of premiering in new works commissioned by the company such as Quamino’s Map and Freedom Ride. Wright has also made his New York debut with On Site Opera in Il Tabarro in the Spring of 2023. Recently, Wright served as an artist in residence with Dayton Opera, where he sang the role of Donner in an original production of Das Rheingold. He also honed his skills as a teaching artist, bringing “Who Wants to Be an Opera Star” to the Dayton Metro area, inspiring young people to explore their own artistic potential. Wright has covered the role of Sam in Grammy award-winner Will Liverman and DJ King Rico’s masterpiece, The Factotum, at Lyric Opera of Chicago. His talent has also earned him opportunities to perform with other prestigious opera houses, such as San Francisco Opera, where he will make his debut in the 2023-2024 season. He will also be returning to other amazing houses such as Opera Columbus. In the summer of 2022, Wright served as an Apprentice Artist at Des Moines Metro Opera, where he stepped in on short notice as the lead role in Porgy and Bess, impressing audiences and critics alike with his professionalism and talent. This demonstrated his versatility and reliability as a performer, while also earning him high praise and cementing his reputation as an up-and-coming singer in the opera world. Known for his stage savvy, Robert Kerr’s foundation in opera began in musical theater. Anthony Tommasini of the New York Times wrote of his Falstaff: “He made words matter and conveyed the self-delusion of this likable laughingstock… “. Known to Opera Columbus audiences, Robert Kerr returns this season in Tosca and Fellow Travelers. His past performances with the company include the King in Aida; the world première of The Flood by Korine Fujiwara with libretto by Stephen Wadsworth; the title role of Gianni Schicchi; and, Tonio in Pagliacci. Notable credits include a return to Rose Theater with Atsushi Yamada conducting the Philharmonia Orchestra of New York in an all-Verdi concert; he was Pooh-Bah in The Mikado with Performance Santa Fe!; the title role of Rigoletto with Opera Projects Columbus in addition to the title role in Gianni Schicchi with the company. He has been heard as Germont in La traviata with the Philharmonia Orchestra of New York at Lincoln Center and as soloist in Mozart’s Requiem; and, has appeared with the local symphonies on numerous occasions. In prior seasons, Mr. Kerr returned to Japan for engagements in performances of Requiem by Minoru Miki in Natori and reprising the work at Rose Theater at Lincoln Center; he has covered the role of the King in El Gato con Botas with Gotham Chamber Opera; and, was soloist with the New York City Opera Orchestra in a Japan tour of Carmina Burana. Other engagements include his appearance at the Kennedy Center Honors with Sondra Radvanovsky and Joseph Calleja in an Aida tribute to honoree, Martina Arroyo. Equally at home in musical theater, Mr. Kerr has sung King Hildebrand in Princess Ida with So. Ohio Light Opera; the role of Peachum in The Threepenny Opera with Amarillo Opera; and Pooh-Bah in The Mikado.Artega Wright
Robert Kerr
Stephanie Durant graduated from Northwestern University in Voice & Opera and has MA in Vocal Pedagogy from Northeastern Illinois University in Chicago. Her Opera Columbus debut was in 2021 with Puccini’s Tosca. She performed in the Ensemble for Maria de Buenos Aires in February 2023. Also in February 2023, she sang the Ukrainian National Anthem at the Ohio Statehouse for the 1 year anniversary of the Russian invasion of Ukraine. Prior to settling down in central Ohio with her four children and husband, Stephanie has performed many musical theater and operatic roles around the country, including Winnie Tate (Annie Get Your Gun), Baker’s Wife (Into the Woods), Mary Ellen (Beauty and the Beast) and Mrs. Olsen (Street Scene). Stephanie co-founded the Ukrainian Opera Ensemble with Mariyka Hawryluk Gordon and performs operas and art songs in Ukrainian, and works closely with The Ukrainian Cultural Association of Ohio.Stephanie Durant
Anabella Petronsi, is a 3rd year DMA student in Voice Performance with the Singing Health Specialization at OSU under the tutelage of Dr. Blosser, where she serves as a Graduate Teaching Associate. She graduated from the National University of Arts in Argentina with a BM in Voice Performance and from The Ohio State University with an MA in Music Education. She has sung L’ Enfant (Ravel), Barbarina (Mozart), Dame 2 (Mozart), Serpetta (Mozart), Papagena (Mozart), Despina (Mozart), Poesie (Charpentier), Berenice (Rossini), Mrs. Webster (Candey), Mirror 1 (Albinarrate), Mariquita Sanchez (Scher), and Heraldo (Lambertini), Sorceress (Purcell), Giovanna (Verdi). She worked as an Artistic Administrator, Director of Operations and Special Projects and Events for the Department of Musical Arts at the National University of Arts in Argentina. She also sang with Enhorabuena Company, Ensemble Tempus, and Opera of Columbus. She is a member of the Columbus Symphony Choir. Anabella Petronsi
Matthew Mac Manus, tenor, received his Master of Music degree in Vocal Performance from the Cleveland Institute of Music, where he studied with American baritone Jesse Blumberg. The summer of 2022 saw Mr. Mac Manus make his international debut in the roles of Rinuccio in Gianni Schicchi, Bardolfo in Falstaff, and Don Curzio in Le Nozze di Figaro as part of the Festival of International Opera Italia. Other recent engagements include singing in the chorus of Opera Project Columbus’ production of Verdi’s Un ballo in maschera as well as numerous performances of opera scenes at CIM, including: Gabriel von Eisenstein in Die Fledermaus, Nemorino in L’elisir d’amore, Ferrando in Così fan tutte, Jaquino in Fidelio, and Banquo in Ernest Bloch’s MacBeth. In the spring of 2022, he created the role of the Tenor in Arseny Gusev’s The Blind as part of a collaboration between CIM’s Vocal and Composition Departments. Mr. Mac Manus completed his undergraduate studies at Miami University, where he studied with Dr. Alison Acord and Dr. Christina Haan.Matthew Mac Manus
Tenor Michael Kirkman is well known to Columbus audiences as both a soloist and ensemble singer. He has performed with Opera/Columbus since 1991 and has also worked with Columbus Light Opera and several professional choral ensembles, including Lancaster Chorale, Cantari Singers, and Cecilian Singers. His work includes several performances as soloist in the Messiah and the Mozart Requiem, as well as Britten’s Agnus Dei; Saint-Saen Requiem; Bach Magnificat; Dubois Seven Last Words of Christ; and Bernstein Chichester Psalms. He is in his twenty-fourth year as tenor soloist and section leader with the BroadStreet Choir at Broad Street Presbyterian Church. Michael studied with Robin Rice at Ohio State and more recently with Jason Heister at Ohio Wesleyan University. He is a co-founder of Converging Arts Columbus, a new arts organization that seeks to create opportunities for professional singers through multi-disciplinary, collaborative performances.Michael Kirkman
CREATIVES
Georges Bizet
Ludovic Halévy
Henri Meilhac
Our 2022-23 CRANE Directing Fellow, Sarah Dahnke is a choreographer, dance artist, and arts educator deeply committed to empowering communities to use movement to reclaim narratives stripped away by colonialism. She’s a MAP Fund awardee, an NEA Our Townfunded resident artist, and a former awardee of fellowships from Gibney’s Moving Toward Justice, Target Margin Institute, New Victory LabWorks, and Culture Push. As a practitioner, Dahnke specializes in devised performance and site-specific dance film. Dahnke is the artistic director of Dances for Solidarity, a project that co-creates choreography with people who are incarcerated in solitary confinement and creates live performances as advocacy toward prison abolition.Sarah Dahnke
Everett McCorvey, tenor, is a native of Montgomery, Alabama. He received his degrees from the University of Alabama, including a Doctorate of Musical Arts. He has performed in many cities around the world and theaters across the country, including the Metropolitan Opera, the Kennedy Center, Aspen Music Festival, Radio City Music Hall, Birmingham Opera Theater, Teatro Comunale in Florence, Italy, Queen Elizabeth Hall in London, England, as well as performances throughout Spain, the Czech and Slovak Republics, Austria, Japan, China, Brazil, Ireland, Poland, Portugal and Hungary, Mexico, Peru and France. He joined the Tony Award-winning Sherwin Goldman Production of PORGY AND BESS at Radio City Music Hall in 1982 and was also part of the Metropolitan Opera’s Debut Production of Porgy and Bess in 1985. McCorvey’s career has spanned all areas of the performing arts business from performer to musical director, stage director, voice teacher, producer, impresario, orchestra conductor, union representative, administrator, and mentor. McCorvey recently conducted the World Premiere of Stella Sung’s Opera THE SECRET RIVER with Opera Orlando in December 2021. The Librettist for the opera was Pulitzer Prize Winner Mark Campbell. He was also featured in Taormina, Sicily conducting the Grand Finale Opera Gala at the Mythos Opera Festival 2018, and in December 2019, he conducted the Dvořák Symphony #9 in Prague’s Smetana Hall with the North Czech Philharmonic. Upcoming concerts include Musikverein Golden Hall in Vienna conducting the Boshualave Martinu Philharmonic and in Haydn Hall Vienna with the Euro sinfonietta as well as an upcoming Word Premiere with the Santa Fe Opera’s Opera for All Voices in performances of THIS LITTLE LIGHT OF MINE by Chandler Carter with the libretto by Diana Solomon Glover. Later in 2022, McCorvey will serve as Chorus Master with the Santa Fe Opera production THIS LITTLE LIGHT OF MINE and Music Director and Conductor for the Kentucky Opera performances of the same work. McCorvey served as the Music Director and Conductor of the World Premier of BOUNCE, The Basketball Opera, conceived and directed by Gretha Holby with the lead composer Glen Roven and author and librettist Charles R. Smith, Jr. Additional music for BOUNCE was written by Tomas Doncker and West Side Story Film Star Ansel Elgort. https://bouncethebasketballopera.org This past September 11, 2021, on the 20th Anniversary of the attacks, he conducted the National Chorale and the US Army Field Band in New Jersey’s 9/11 Commemoration at Liberty State Park. He has also appeared in television movies and feature films including The Long Walk Home. Dr. McCorvey’s operatic roles include Don Jose in Carmen, Ferrando in Cosi Fan Tutte, Don Ottavio in Don Giovanni, Fenton in Falstaff, Eisenstein in Die Fledermaus, Puck in La Grande Duchess de Gerolstein, and many others. Orchestra and Oratorio works include the Beethoven Symphony #9, Mendelssohn’s Elijah, Mozart’s Requiem, Verdi’s Requiem, Handel’s Messiah, Bach’s Mass in B Minor, and the St. Matthew Passion, among others. Vocal Excellence is a hallmark of Dr. McCorvey’s work. As a teacher, he has given masterclasses and vocal workshops throughout the United States, Europe, South America, China, Japan, and Poland. Dr. McCorvey is the founder and Music Director of the American Spiritual Ensemble, www.americanspiritualensemble.com a group of 24 professional singers performing spirituals and other compositions of African-American composers dedicated to keeping the American Negro Spiritual alive. In its 27-year history, the group has presented over 600 concerts including 20 tours of the United States and 17 tours of Spain. Presently the American Spiritual Ensemble is the only professional ensemble of its kind dedicated solely to the American Negro Spiritual. The Ensemble has released twelve CDs: On My Journey Now – The American Spiritual Ensemble on Tour, Ol’ Time Religion, Lily of the Valley, Swing Low, Sweet Chariot; The Spirituals; The Spirit of the Holidays; The Duke Returns; Duke Ellington Sacred Concerts; Mosaic, featuring Metropolitan Opera Star Angela Brown; Stand the Storm, Featuring American Soprano Jeryl Cunningham; Been in the Storm Too Long featuring American Baritone Kenneth Overton as well as two CD’s featuring the music of John Jacob Niles produced by McCorvey featuring American Soprano Hope Koehler. McCorvey recently produced a CD Anchored in the Lord featuring singers from the Bay View Music Festival’s American Negro Spirituals Intensive program, where McCorvey serves as Director. The US Public Broadcasting Station (PBS) has produced six Documentaries featuring McCorvey’s work, including It’s a Grand Night for Singing: 10th Anniversary (1992); Impresario (2002); A Tribute and a Toast to Opera (2005); The Spirituals (2007); The American Spiritual Ensemble in Concert (2017); and It’s a Grand Night for Singing 25th Anniversary (2017). Dr. McCorvey is also in his seventh season as the Artistic Director of the National Chorale of New York City www.nationalchorale.org. Celebrating 54 years of great choral singing, the National Chorale is a symphonic choir that performs at Lincoln Center in New York City. The National Chorale is well-known in New York and around the region for its performances of the great choral titans as well as for the popular New York Messiah Sing-In at Lincoln Center! The Sing-In is one of the oldest sing-in’s in the country. Dr. McCorvey has served on the faculty of the New York State Summer School of the Arts in Saratoga Springs, New York where he was Artist-in-Residence and Associate Conductor and is also a frequent advisory panelist and on-site reviewer for the National Endowment for the Arts Opera/Musical Theatre program in Washington, D.C. He also served on the faculty of the American Institute of Musical Studies (AIMS) in Graz, Austria. He is on the opera faculty in the summers at the Bay View Music Festival in Petoskey, MI, www.bayviewassociation.org/performingarts/musicfestival, and is co-director of the Bay View Music Festival’s American Negro Spirituals Intensive program, a program dedicated to helping young singers learn about the American Negro Spirituals. Dr. McCorvey is a teacher and vocal advisor to many singers in the profession. Dr. McCorvey has been the recipient of several awards highlighting his teaching, research, and service. Recent awards include the SEC (South Eastern Conference) Faculty Achievement Award, given to a faculty member from each of the 14 SEC Athletic Conference schools. He was also the recipient of the UK Libraries Medallion for Intellectual Achievement in 2018. This award is one of UK’s most prestigious awards given to one Kentuckian, it recognizes high intellectual achievement by a Kentuckian who has made a contribution of lasting value to the Commonwealth. The award also promotes education and creative thought. Other awards include the Lexington Music Awards Lifetime Achievement Award (2020); two Regional Emmy Awards for UK Opera Theatre’s summer production of “It’s A Grand Night for Singing” (2018); the Notable African-Americans in Lexington Award given by the Lima drive Seventh-Day Adventist Church (2018); the Central Music Academy Lifetime Achievement Award (2015), the Alabama Governor’s Artists Award, the highest arts award given to an artist from Alabama (2015), the Salvation Army Community Service Award (2014) and the Camp Horsin’ Around Community Service Award (2014). In 1998 he was the Acorn Award Recipient given by the Kentucky Advocates for Higher Education. This prestigious Award goes to only one Professor in the state of Kentucky who exemplifies excellence, innovation, and creativity in teaching and research. Dr. McCorvey was also the recipient of an outstanding faculty award from the University of Kentucky Lyman T. Johnson Alumni Association for 1998 and was selected to receive the Outstanding Alumni Award in the Arts from the Society for the Fine Arts at the University of Alabama, his Alma Mater, in February of 1999. Dr. McCorvey produced only the second full-length recording of The Tender Land by Aaron Copland with the University of Kentucky Opera Theatre recorded in Zlin, Czech Republic, and released in January 2002, featuring singers from the University of Kentucky Opera Program with Kirk Trevor conducting the Boshuslave Martinu Philharmonic Orchestra. Two other CDs released in 2008, were a world premiere of a new opera, The Hotel Casablanca, by Thomas Pasatieri, produced by Dr. McCorvey and performed by the University of Kentucky Opera Theatre and a collection of songs by John Jacob Niles, performed by soprano Hope Koehler and produced by McCorvey. Both recordings were released by Albany Records. In the spring of 2010 UK Opera released a new CD of Die Fledermaus with Maestro John Nardolillo conducting and in December of 2010 a World Premiere CD of Thomas Pasatieri’s new opera God Bless Us Everyone which premiered in New York at DiCapo Opera with students from UK Opera and which received a rave New York Times Review. Dr. McCorvey is of the belief that every citizen in the country should find ways to give back to his or her community, city, or country. He has been very active in his volunteer activities working to keep the arts as a part of the civic conversation and currently serves on many local, regional, and national boards. In his home state of Kentucky, he is Chairman of the Kentucky Arts Council Board and nationally he is on the Sullivan Foundation Board of Trustees, www.sullivanfoundation.org, an organization dedicated to supporting young professional singers with career grants and study awards for continuing development. He holds an Endowed Chair in Opera Studies/Director of Opera and Professor of Voice at the University of Kentucky in Lexington, Kentucky. www.ukoperatheatre.org. In September of 2010, Dr. McCorvey served as the Executive Producer of the Opening and Closing Ceremonies of the Alltech 2010 FEI World Equestrian Games held in Lexington, Kentucky. The Opening Ceremony was broadcasted on NBC Sports and was viewed by over 500 million people worldwide. The Alltech 2010 FEI World Equestrian Games was the largest equestrian event to ever be held in the United States. He is married to soprano Alicia Helm. They have three children.Dr. Everett McCorvey
Gabriela Guerrero
Brandon Shaw McKnight passionately believes that art has the power to inspire, reflect, educate, and empower. Well-versed in multiple genres of the performing arts, they most recently served as the assistant director for Le Nozze di Figaro, Annapolis Opera and Dreamgirls, Morgan State University. In 2019, Shaw McKnight produced and directed a staged version of Handel’s Messiah, which they have since performed annually. An exceptional artist who can be found on and behind the stage, Shaw McKnight has been a part of productions on Broadway, Jazz at Lincoln Center with Teatro Nuovo, The Kennedy Center, Toledo Opera, Annapolis Opera, Opera Baltimore and in Italy. They are often seen performing in his hometown of Baltimore, MD. In addition to joining Opera Columbus as the Crane Directing Fellow, Shaw McKnight is currently a directing resident artist with Opera North.Brandon Shaw McKnight
Shaw McKnight has been a young artist with programs such as La Musica Lirica, New York City Lyric Opera Theatre, and Utopia Arts. Their love of opera began as a student at Morgan State University.
And it doesn’t stop there…
DON’T TELL GRETTA WITH THE CAST OF OC’S CARMEN
September 17 at 5pm | District West | FREE EVENT
OC’s Carmen is joining Gretta Goodbottom at District West for “Don’t Tell Gretta”, a live piano cabaret: Hannah Bullock (Micaela), Adam Diegel (Don José), and Tesia Kwarteng (Carmen)!
Doors at 4:30pm, Performance at 5pm
SALON: 70s GLAM PARTY VIBES WITH ERICA STEWART
September 18 at 6PM | Zoom | FREE EVENT
Join Opera Columbus for SALON: 70s Glam Party Vibes with Erica Stewart
At this FREE online event, you will experience all of the glitz and glamour of the 70s era! Learn how to recreate iconic disco looks that will make you ready to groove.
COFFEE WITH THE CREATIVES OF CARMEN
September 20th at 12pm l Ohio Theatre, Rehearsal Room l FREE EVENT
Join us in-person for a FREE Q&A with the Creatives of Opera Columbus’ Carmen. They will share all of the backstage “tea” and insider knowledge while we enjoy coffee and sweets.
Director, Sarah Dahnke (Our 2022-23 Season CRANE Directing Fellow!)
Conductor, Everett McCorvey
Costume Designer, Karen Boyer
A special thank you to the Crane Group